Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Tuesday, August 04, 2009

Decemberists at Newport and thoughts on The Hazards of Love

Music reviewing isn't really my usual thing, but I've got something to say, dammit, and say it I shall.

Last weekend was the Newport Folk Festival, which was celebrating its 50th year and featured a whole lot of good bands. I went with my sister and one of her friends, mainly to see the Decemberists, a favorite band of mine. If you're not familiar with the Decemberists, they're a folk rock band from Oregon that's heavily influenced by the tradition of English folk. A lot of their songs are stories about characters, and feature a verbose and anachronistic lyrical style that forms a large part of the band's charm.

One of the most prevalent themes in their music is tragic love. For examples, give a listen to "We Both Go Down Together," a song about a suicide pact between lovers, or "O Valencia!" which is a fairly standard Romeo and Juliet tale.

Incidentally, both of those songs were performed at the Newport Folk Festival, along with two all-new, never-before-performed-in-the-US songs, and a few songs from their new album The Hazards of Love, which is an album-length folk rock opera.

I had been a little worried that their entire set would be from The Hazards of Love, since their recent tour has featured a set list composed of just the tracks from that album in order, telling the complete story. I hadn't heard that album yet, and so a concert with all those songs and none of my favorites would have left me cold. But after hearing the songs performed at the concert, I immediately purchased the album from iTunes when I got home, so impressed was I with what I heard.

Now, I must admit that initially I was a little underwhelmed by the album on first listen, because while the songs were good, they did not benefit from the energy of the live show, and so I did not immediately fall in love wit the album. But on repeat listens, I have appreciated the album a lot more, and I've grown obsessed enough with it that I'm literally having trouble listening to anything else.

The Hazards of Love follows a trend in the work of singer/songwriter/frontman Colin Meloy toward long, epic song suites based in folk legend tropes. The 18-minute single The Tain in 2004 was one step in this direction, and the 2006 album The Crane Wife featured two such epic songs, "The Island" and the three parts of "The Crane Wife." The Hazards of Love seems the natural progression from those earlier works. By no means is it a particularly complicated (or even very specific) story, but it is touching in its own tragic way, and getting a sense of the narrative is absolutely key to the enjoyment of the album.

The story follows four characters. The lovers, Margaret and William, meet when Margaret helps a wounded fawn, which turns into a man by night: William. Margaret becomes pregnant with William's baby, which leads her to run away from home and also causes a disagreement between William and his mother the forest Queen. Soon after, the villainous Rake kidnaps Margaret and William must rescue her. I mentioned it was a tragedy, and I assure you it doesn't end well. The music incorporates a mix of folk and prog rock styles, and a few different vocalists, with Meloy playing both men and guest vocalists Becky Stark and Shara Worden portraying Margaret and the Queen respectively.

The long story, which requires some attention to follow, is probably why I didn't enjoy the album so much on my first listen, and it improved on later listens. I think this may be the most impressive album to date, but I don't think I want to see another one like it. I hope that Meloy returns to the shorter, lighter songs that made me fall in love with the band in the first place. If the songs the band played at Newport are any indication, that's just what they're doing, thankfully.

Oh, and by the way, some kind soul has uploaded the two brand new songs to youtube, so give them a listen: "Down by the Water" and "Rox in the Box". I'm a fan. Also, during the middle of their set, specifically during A Cautionary Song, most of the band came out into the audience to give a humorous reenactment of Bob Dylan's infamous 1965 performance at Newport. Luckily, that's up on youtube as well. I couldn't see it from my spot in the crowd but as they came out into the crowd they did walk literally right in front of me (just inches away, really) so that was kind of cool.

If you're a fan of the Decemberists highly recommend that you give The Hazards of Love a listen, or even a few listens. If you've nto familiar with them, however, then I'd recommend that you listen to some of their other, less ambitious, more accessible material. Personally, while I'm glad that the band didn't perform The Hazards of Love in its entirety at Newport, I'd be curious to hear it performed live, just to find out what the experience is like.

Oh, and sadly, I left the festival early and so I missed the big finale where a bunch of people (including Meloy and Ben Kweller and others) joined Pete Seeger on stage for This Land is Your Land. Ah well. I'll probably lie and tell my grandkids I was there.

Tuesday, July 28, 2009

Brief thoughts on Dollhouse: Epitaph One


The above tweet was my initial reaction to Epitaph One, the unaired, thirteenth episode of Joss Whedon's Dollhouse, which it seems everyone on the Internet but me loves.

I'll be posting a (far) more in-depth look at Dollhouse later this week (or possibly next week), but for now here's a comment I posted on the appropriate post over at Whedonesque:
Honestly, I thought it was awful. I don't want to piss in anyone's lemonade, but I hated it so much it made me not want to watch season 2. I've calmed down and decided that I will give season 2 a try after all, but I still didn't like this episode.

I'm not going to go too much into why I hated it. Suffice it to say I thought it was a mess of half-baked ideas that were dropped on us all at once, when a slow build over the course of several seasons would have been so much more satisfying. But I think I understand why Joss did it the way he did. It just wasn't for me. I'm going to write up a longer, more specific review for my own blog later this week.

I'm a little disappointed that I'm one of the very, very few people that feels this way. It makes me feel like I must be crazy. But hey, different people like different things. That's what makes fandom interesting. I'm just glad that Joss is doing work that so many people can enjoy, even if I'm not one of those people.
My upcoming post will discuss not just Epitaph One, but the entire first season of Dollhouse, especially the "season finale," Omega. Whether I'll have anything to say about the unaired pilot, I'm not sure, as I've not seen it yet. Expect that very long post to go up sometime before the end of next week.

Wednesday, July 08, 2009

Torchwood: Children of Earth

This week is Torchwood week. On BBC One, an episode of the new five-part Torchwood: Children of Earth is being aired each weeknight. In the US, you can catch them on BBC America frm July 20-24, but I'm watching them in sync with the UK airdate to review them for Behind the Sofa.

Although Torchwood has in the past been mediocre at best, this new series really is fantastic. You can find links to the the reviews in this post, which I'll be updating as I post them. Some of the reviews have spoilers, but the first one doesn't.

Torchwood: Children of Earth


Wider Two Column Modification courtesy of The Blogger Guide